How do you create the sound of percussion as if it was 'underwater' so to speak? An example would be the intro of the drums around the 54 second mark in your remix of 'Around the World in a Tea Daze'
That is what we call a 'low-pass filter'.
When you act as a producer for a band, how much creative involvement do you have? Do you simply record and mix, or are you there arranging material and so on? Which do you prefer?
Ott how do you develop and pick your palette of sounds? For example drums - where do you go for snare? Is it pre-recorded stuff? Stuff from sound modules? Played live? Or a mix? It seems to me that thOtt responded on 03/07/2012